Shows & Exhibitions

As You Can See: Polish Art Today is the first show of current Polish art spanning such range for more than a decade. It centres around important works, attitudes, and themes commented on by visual artists over recent years. The exhibition was designed as a guidebook facilitating the journey across the territory of current art phenomena.

The artist's most comprehensive survey in the United States to date, Wangechi Mutu: A Fantastic Journey brings together more than fifty works from the mid-1990s to the present by this internationally renowned Brooklyn-based artist. The exhibition features Mutu's signature large-scale collages alongside video works, never-before-seen sketchbook drawings, a site-specific wall piece, and immersive installations.

School of Visual Arts presents The Pond, the Mirror, the Kaleidoscope, an exhibition of emerging and established artists who graduated from SVA and are working in the Symbolist tradition. These "neo-Symbolists" make mythological and dreamlike pictures that challenge prevailing assumptions about narrative, subjectivity and figurative painting itself. Their subjects may be environmental (the pond), societal and cultural (the mirror) or a post-apocalyptic, futuristic mash-up (the kaleidoscope).

For it's inaugural exhibition cycle, PRAXES presents two parallel strings of exhibitions by Gerard Byrne (Dublin/Copenhagen) and Jutta Koether (Berlin/New York). Opening on 31 August 2013, PRAXES Center for Contemporary Art is a new not-for-profit venue for international contemporary art and research in Berlin. Situated in a two-story 200-square-meter former community building, PRAXES presents half-year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.

Victoria Miro presents a new body of work by Idris Khan in his third solo presentation with the gallery. Beyond the Black (20 September to 9 November 2013) marks an important departure from Khan's photographic based works and comprises a suite of large black paintings, a monumental site specific wall drawing and a series of works on paper, all of which consider the metaphysics of creativity.

Gabriel Orozco is that rare artist who can switch between classical, quasi-autonomous paintings or sculptures and transient, seemingly improvised installations, interventions, objects, and photographs. Enormously versatile in approach, he sometimes draws on atmospherically charged, found, or occasionally casual situations and objects, as well as the exact opposite: the production of precise and perfectly crafted objects. In Bregenz he will be showing for the most part new works that have been conceived specially for the exhibition.

‘Transient Façades’ brings together seven London-based artists all of whom are concerned with making figurative work, predominantly within the two-dimensional world, as a means of exploring the plethora of illusions inherent within society. The works are to be shown at The ‘Well’, a space whose architectural nature suggests a similar focus to the collective’s work – multiple and varied viewpoints.

Bergen art museum in Norway presents an exhibition Real Life Stories, where installations, sculptures and paintings by ten leading Chinese artists are shown in Norway for the first time. During the last 15 years, the popularity and acclaim of Chinese contemporary art within the international art world has near skyrocketed. These artists stand firmly between history and contemporary life, and between China and the international art world.

Drawing Room presents a major solo exhibition by Paul Sietsema. The exhibition will include two new films, drawings and paintings previously unseen in the UK.
 Sietsema's artworks reveal an interest in the materiality of objects and images combined with a more conceptualised concern with the legacies of past eras of cultural history and the contextualisation of artefacts, the process of image making and changing conceptions of what constitutes material.


Fundación Mapfre is presenting a retrospective of the American photographer Imogen Cunningham (Portland, Oregon, 1883–San Francisco, 1976). Over the course of her lengthy career Cunningham was a pioneer of modern photography and was widely recognised for the consistently high quality and innovative nature of her work. Organised in collaboration with La Fábrica, Madrid, this exhibition will be the most comprehensive survey of the artist to be seen in Europe in the last twenty years.


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