English Garden Eccentrics

aw_product_id: 
34435591521
merchant_image_url: 
https://cdn.waterstones.com/bookjackets/large/9781/9131/9781913107260.jpg
merchant_category: 
Books
search_price: 
30.00
book_author_name: 
Todd Longstaffe-Gowan
book_type: 
Hardback
publisher: 
Paul Mellon Centre for Studies in British Art
published_date: 
26/04/2022
isbn: 
9781913107260
Merchant Product Cat path: 
Books > Art, Fashion & Photography > Architecture > Landscape art & architecture
specifications: 
Todd Longstaffe-Gowan|Hardback|Paul Mellon Centre for Studies in British Art|26/04/2022
Merchant Product Id: 
9781913107260
Book Description: 
A highly original study of eccentric English garden-makers and their extraordinary gardens In his new book, English Garden Eccentrics, renowned landscape architect and historian Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and the early twentieth centuries, created intensely personal and idiosyncratic gardens. They include such fascinating characters as the superstitious antiquary William Stukeley and the animal- and bird-loving Lady Read, as well as the celebrated master of Vauxhall Gardens, Jonathan Tyers, who created at his home at Denbies one of the gloomiest and most perverse anti-pleasure gardens in Georgian England. Others built miniature mountains, shaped topiaries, displayed exotic animals, excavated caves and assembled architectural fragments and fossils to realise their gardens in a way that was often thought to be excessive. With quirky and compelling illustrations and chapters including 'Lady Broughton's "Miniature copy of the Swiss Glaciers"', 'Topiary on a Gargantuan Scale: The Clipped "Yew-trees" at Four Ancient London Churchyards' and 'The Burrowing Duke at Harcourt House', English Garden Eccentricsbrings together garden and landscape history with cultural history and biography. The book engagingly reveals what it is about the gardener and his or her creation that can be seen as eccentric and focusses on an area of garden history that has scarcely been previously explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography. This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric. Distributed for the Paul Mellon Centre for Studies in British Art

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