Gauguin, Cezanne, Matisse

aw_product_id: 
32084143693
merchant_image_url: 
https://cdn.waterstones.com/bookjackets/large/9780/3001/9780300179804.jpg
merchant_category: 
Books
search_price: 
50.00
book_author_name: 
Joseph J. Rishel
book_type: 
Hardback
publisher: 
Yale University Press
published_date: 
19/06/2012
isbn: 
9780300179804
Merchant Product Cat path: 
Books > Art, Fashion & Photography > Art & design > Art & design styles / history of art > Impressionism & Post-Impressionism
specifications: 
Joseph J. Rishel|Hardback|Yale University Press|19/06/2012
Merchant Product Id: 
9780300179804
Book Description: 
A trio of masterpieces by Gauguin, Cezanne, and Matisse are joined by works by other major artists in this exploration of the enduring vitality of the theme of Arcadia The notion of a golden age set in an earthly paradise has long kindled the human imagination. Virgil envisioned such a place of bucolic pleasures-erotic and unsullied, sometimes shadowed by blunted desires and doubts-in his Eclogues, set in the valley of Arcadia in ancient Greece. His poems defined for Western art and literature a theme that continues to this day. Their resonance as a foundation for European painters around 1900 is the subject of this beautifully illustrated catalogue, which focuses on three monumental paintings-Paul Gauguin's Where Do We Come From? What Are We? Where Are We Going? (1897-98), Paul Cezanne's The Large Bathers (1906), and Henri Matisse's Bathers by a River (1909-10, 1913, and 1916-17). Other masterpieces by Jean-Baptiste-Camille Corot, Nicolas Poussin, and Pierre Puvis de Chavannes establish the high value given to Arcadia in the history of French painting. These are joined by major works by Henri Edmond Cross, Robert Delaunay, Andre Derain, Pablo Picasso, Henri Rousseau, and Paul Signac, as well as paintings by Ernst Ludwig Kirchner, Franz Marc, and Natalia Goncharova to suggest the vitality of this subject outside the canonical French definitions. Distinguished scholars place these artists within the larger context of this inventive period in art history.

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