Sally Potter

This survey of Sally Potteru2019s work documents and explores her cinematic development from the feminist reworking of Pucciniu2019s opera La Bohu00e8me in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potteru2019s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichu00e9s, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowleru2019s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director.