Ravilious & Co

aw_product_id: 
5173198367
merchant_image_url: 
https://cdn.waterstones.com/bookjackets/large/9780/5002/9780500239551.jpg
merchant_category: 
Books
search_price: 
24.95
book_author_name: 
Andy Friend
book_type: 
Hardback
publisher: 
Thames & Hudson Ltd
published_date: 
20/04/2017
isbn: 
9780500239551
Merchant Product Cat path: 
Books > Art, Fashion & Photography > Art & design > Art & design styles / history of art > Art: 1900 to 1960
specifications: 
Andy Friend|Hardback|Thames & Hudson Ltd|20/04/2017
Merchant Product Id: 
9780500239551
Book Description: 
The Sunday Times Art Book of the Year 2017 In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash's teaching at the Royal College of Art - Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Seventy-five years after Ravilious's untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy. 'Ravilious & Co adds much new detail and factual fine-tuning to our picture of national, in contrast to international, modern art in interwar Britain.' - Daily Telegraph

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